Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
	About Us	90,680 paintings total now Toll Free: 1-877-240-4507

Alma Tadema.org, welcome & enjoy!

Prev 1 2 3

Here are all the paintings of Andrea del Sarto 03

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
41973		The Madonna and the Nino, with Holy Isabel and the young one San Juan	mk166 1528 I Wave on board of wood 140x104cm Galeria Palace Pitti Florence
60694		The Madonna of the Harpies was Andrea major contribution to High Renaissance art.	The Madonna of the Harpies was Andrea's major contribution to High Renaissance art.
20964		The Madonna of the Stair (san05)	c 1522 Oil on panel 177 x 135 cm
56436		The resurrection of Jesus and Mary meet map	mk249
4807		The Sacrifice of Abraham	Poplar, 213 x 159 cm Gemäldegalerie, Dresden
28616		The Sacrifice of Abraham	mk61 c.1529 Oil on canvas 98x69cm
60693		The so called Portrait of a Sculptor	The so-called Portrait of a Sculptor, long believed to have been Del Sarto's self-portrait.
38445		The Verkundigung	mk137 1528 oils on wood chalkboard 96x189cm Palazzo Pitti, Florence
56424		The Virgin and Child	mk249
56420		The Virgin and Child with Saint Elizabeth. St. John childhood. Two angels	mk249
56435		The Virgin and Child with Saints	mk249
56414		The Virgin and Child with St. John childhood
56419		The Virgin and Child with St. John childhood, as well as two angels	mk249
29835		The Young St.John	mk67 Panel 37x26 3/4in
56430		Tikiri Panqia assumptions	mk249
78796		Tobias and the Angel with St Leonard and Donor	1512(1512) Width: 153 cm (60.2 in). Height: 178 cm (70.1 in). cjr
53247		Two angle	mk228 Oil on canvas
82487		Verkundigung	English: c. 1520-1530 Medium Oil on panel cyf
76157		Virgin and Child in Glory with Six Saints	Date ca. 1528(1528) Medium Oil on wood cyf
76630		Virgin and Child in Glory with Six Saints	ca. 1528(1528) Oil on wood cjr
78509		Virgin and Child in Glory with Six Saints	ca. 1528(1528) Medium Oil on wood cyf
62049		Virgin birth	mk276 1514 years frescoes in Florence, 413 x 345cm Annunciation Church
53242		Virgin Mary	mk228 Oil on canvas
53309		Virgin Mary and her son	mk228 Oil on canvas
53262		Virgin Mary and her son with Christ	mk228 Oil on canvas
53240		Virgin Mary and Jeusu and John	mk228 Oil on canvas
53255		Virgin Mary lament Christ	mk228 Oil on canvas
32242		Virgin with Four Saints	1530 Panel, 308 x 208 cm
56433		Walloon Buluo Sa altar portraits	mk249
56434		Walloon Buluo Sa altar portraits	mk249
56423		Young Joseph	mk249
53252		Younger Yusifu	mk228 Oil on ca nvas
53253		Younger Yusifu	mk228 Oil on canvas

Prev 1 2 3

Andrea del Sarto

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

All the Alma Tadema's Oil Paintings

Supported by oil paintings and picture frames